by Marie Bechetoille Pauline Curnier Jardin is a storyteller, her projects most often take the form of installations, combining video, sculpture, performance, and painting. Like Ulysses’ use of metis [cunning], Pauline Curnier Jardin slips into other people’s skins in order [...]
by Annabela Tournon Identified through various movements restoring the humanist notion of painting (whose death certificate had nonetheless been duly signed by the picture artists group and its critics1), the history of the 1980s reiterated the story of the return [...]
by Franck Balland While the grotesque contributes, as Véronique Klauber notes in her definition, “the confirmation of the instability of everything”1, then the forces that animate the work of Jonas Delaborde frequently bring him back towards this register in which [...]
by Jill Gapsarina “I love my web And that’s a fact Guess while this loads I’ll grab a snack”1 The grotesque is a perfect object of study for our age. You can delve into a complete online reading of the [...]
