by Élise Legal Dear madcelt2002, I’m writing to you concerning the order I placed with you on eBay at 4:27 PM on 25th July 2022. The order number was 10-08907-90879. The tracking number was C00HHA0240472359. The transaction amount was 13.35 [...]
by Sophie T. Lvoff For Thea Djordjadze’s first major presentation in France displaying more than sixty artworks, produced between 1993 and 2021, the gestures in the rooms needed to be powerful, forceful, even. I use the word forceful here for [...]
by Tania Hautin-Trémolières A biennial is often a sprawling event. Dense, immense, dispersed. The Lyon Biennale of Contemporary Art is no exception to this tentacular disposition. Its 16ᵉ edition, conceived by the curatorial duo Sam Bardaouil and Till Fellrath, is [...]
by Lætitia Pavianni Ethan Assouline’s exhibition “La médiathèque autonome” at La Tôlerie took place in the autumn of 2022. One could believe that seasons have existed since forever, as they say. However, the word autumn first appeared relatively late [...]
by Théo Robine-Langlois 1) the door’s blue color changed it’s more intense now being fresh (colloquial) The skylightThe skydangerous exercise Impossible speech the first daybegins Commureopens its doors to the public and to [...]
by franckDavid I don’t know Raymonde Morin, I don’t know Bernard Fournier, I don’t know Jean-Marc Gébelin not yet either Françoise Simont. These four are strangers to me, yet not to each other as in the year written one nine [...]
by Elsa Vettier It’s not always pleasant to hear the word, or even worse, to be called cute— this word that has now seemingly replaced its equivalent mignon in the French language. When used to describe an artwork, the term [...]
by Clara Guislain “It’s always been very important to me that my work has a socialized veneer. I’ve never wanted my work to be associated with the Dada sensibility – to be perceived as simply negational. I want the initial [...]
by Marie Bechetoille A conversation between Bernie Poikāne and Marie Bechetoille April 2023 Marie Bechetoille: What is your relationship to the notion of cuteness in your film practice? Bernie Poikāne: My films are almost always born from a feeling of [...]
by Lola Fontanié Interview with Grégoire Pérotin and Simon Dubedat (Fossile Futur), and Antoine Beaucourt (In extenso) by Lola Fontanié December 2022 Lola Fontanié: Can you present Fossile Future to us? How long has the association existed, and how did [...]
I met Lili Reynaud Dewar in Paris— an artist who is also accustomed to interviewing people— so she could tell me about the city where she has been living and working for more than a decade now, a city that [...]
by Katia Porro When I visited Julie Sas’s exhibition “OK OK K.O” at Treignac Projet, I was in denial of anger. I rejected the feeling, believing it was truly a waste of energy, resisting that tension rising from within, that [...]
par Katia Porro The more I think of the title “Mood Ring” the more I am convinced that there exists no other phrase more appropriate to entitle an exhibition. Because an exhibition functions as such: an array of colours, or shades, [...]
