by Caroline Engel Caroline Engel: What is the focus of your attention? Anne Le Troter: I collect speech and I write. I started recording work in mono: stories, but above all techniques that I’d invented to replay the world in [...]
by Benoît Lamy de la Chapelle The first time that I became aware of the work of Josselin Vidalenc, I didn’t know anything about him. Without daring to enter the “Ateliers” space1 that was reserved for him, I was nonetheless [...]
by Marie Bechetoille Pauline Curnier Jardin is a storyteller, her projects most often take the form of installations, combining video, sculpture, performance, and painting. Like Ulysses’ use of metis [cunning], Pauline Curnier Jardin slips into other people’s skins in order [...]
by Annabela Tournon Identified through various movements restoring the humanist notion of painting (whose death certificate had nonetheless been duly signed by the picture artists group and its critics1), the history of the 1980s reiterated the story of the return [...]
by Franck Balland While the grotesque contributes, as Véronique Klauber notes in her definition, “the confirmation of the instability of everything”1, then the forces that animate the work of Jonas Delaborde frequently bring him back towards this register in which [...]
by Jill Gapsarina “I love my web And that’s a fact Guess while this loads I’ll grab a snack”1 The grotesque is a perfect object of study for our age. You can delve into a complete online reading of the [...]
The Musée de Rochechouart is currently presenting the first monographic exhibition in France by artist Laure Prouvost. Born in 1978 in the small village of Croix and residing in London since she was 18, in 2013 she won the Turner [...]
Genre Humain [Human Genre], a musical track and the visual of the invitation, enumerating the list of 32 guest artists, already lays our cards on the table. But what “genre” of exhibition are we mounting here, in Bourges, in the [...]
“Réparer à l’endroit de l’accroc le tissu du temps” (Identify the fabric of time at the place where it snags) is a collective exhibition whose title must first be unravelled, and that allows us to surmise that it cannot be [...]
The sound of an electric impact, a voice, a murmur, silences, memories, an errant whistle – apparently in answer to the lapping of water – this is essentially what Dominique Petitgand’s exhibition at the Centre International d’Art et du Paysage [...]
