by Fabrice Gallis Meymac, 14 October 2019, 11 am, cuisine by Caroline Bissière and Jean-Paul Blanchet. A pile of potatoes dominates the table. Fabrice Gallis: I’m preparing a focus for La belle revue on the Centre d’Art Contemporain de Meymac, [...]
by Anne Favier The watershed isn’t a mirage. In the Regional Park of Monts d’Ardèche, it’s a very real ridgeline: the place where the waters are divided and singularly sculpt the landscape by flowing down either the Mediterranean or the [...]
par Raphaël Brunel Itinerary: Paris – Moulins-sur-Allier by train (2 hrs 25), then forty minutes by car to reach Cosne d’Allier. The coordinates (46° 28′ 34″ north, 2° 49′ 56″ east) don’t lie: we are more or less in the middle of France. A centre whose [...]
by Julie Portier “Lyon: 273 800 visitors for the 15th Contemporary Art Biennale” reads the headline on the website of the magazine Lyon Capitale under the image of a night grocery store in the neighbourhood of the Perrache train station. [...]
by Victorine Grataloup LAC & S – Lavitrine is a surprising name. It is nevertheless on the shores of a very real lake, that of Vassivière, that this contemporary art association that manages an exhibition space on Rue Raspail in [...]
by Marina James- Appel While for the past ten years La belle revue has published non-stop, confronting and questioning the artistic practices of a territory whose affinities are international in scope, it is also the fruit of a combination of [...]
by Claire Kueny During her career, which she has conducted since the 1950s without diverting from her path, Marion Baruch built her home – for herself and her family – in Gallarate, Italy, for nearly fifteen years. She wanted this [...]
by Angelo Careri “Enter the artwork”: this is what the exhibition at the Musée d’Art Moderne et Contemporain de Saint-Étienne dedicated to arte povera suggests we do. A title that highlights the desire to showcase certain little-known aspects of the [...]
by Benoît Lamy de La Chapelle For about a decade now, Treignac Projet has unrelentingly pursued the development of its programme, between astute exhibitions, summer residency programmes, and invitations extended to curators, artists, art critics, philosophers, and other theorists of [...]
