Rays of light refract whilst luminous spectral colors fill the room, the flowing movement of the water casts a spell over us through seemingly infinitely overlapping images. Suddenly it becomes clear that all these images originate from a digital source, […]
Last March, I was contacted by the editorial team of La belle revue, who asked me to write about the book Pour des écoles d’art féministes ! [In Favour of Feminist Art Schools]. I wanted to use this invitation to […]
A symphony of greed resonates in the exchange floors,where fortunes are played and settled with scores. The devil’s suit is tailor-made, a handmade design,his fork replaced by interwoven contracts.In boardrooms and behind the scenes, where secrets unveil,he negotiates deals in […]
I met Lili Reynaud Dewar in Paris— an artist who is also accustomed to interviewing people— so she could tell me about the city where she has been living and working for more than a decade now, a city that […]
The BioHARDCORE Capsule, which was installed at the Espace des Limbes de Saint-Etienne from 13 March to 1st April 2017, was primarily represented by its a mystical and heathen imaginary; followed by a voice, the rampant voice of Antoine Boute, […]
The Transpalette exhibition is the second largest retrospective by Michel Journiac since his death in 1995. The current interest in this artist is due both to the Christophe Gaillard gallery, which has represented the estate since 2017, leading a campaign […]
Within the framework of its new programme, the Salle de bains in Lyon invited Fabienne Audéoud for an exhibition in three successive rooms, from December 2016 to March 2017, under the title Le bien [The Good].1 Georgia René-Worms spoke with […]
The work of Pedro Barateiro (born in 1979 in Almada, Portugal, lives and works in Lisbon) offers a vision about the current state of western culture in times of advanced capitalism. It focuses namely on the way economical structures are […]
Le monde ou rien, presented at the Gac Annonay, is thethird chapter in a series of eponymous collective exhibitions whose first two editions were presented at the Galerie Circonstance in Nice, then the Espace Madoura in Vallauris. The slogan/title “Le […]
Kisses Sweeter Than Wine is a video, first and foremost. A video-document that captures a performance by Öyvind Fahlström, produced during the 9 Evenings: Theatre and Engineering of 1966 and that was to serve as an anchorage point for this […]
It seems hard to feel as though we’re in an exhibition when we enter Jacynthe’s This Space Between You And Me, not because of the purely immersive nature of the installation, but above all because it is, quite frankly, a […]
The Ghost Builder. Let’s just say that it’s a kind of enclosed open-air space. The body stretches out on a lawn. Here and there, each of our protagonists holds long metal instruments in their hands. Some make incisions in their […]
The Musée de Rochechouart is currently presenting the first monographic exhibition in France by artist Laure Prouvost. Born in 1978 in the small village of Croix and residing in London since she was 18, in 2013 she won the Turner […]
The increasing polarization of Swedish society made an impact on the art scene in Malmö last year. Due to two election campaigns and an increase in fascist action, I was just as likely to meet with artists at openings as […]
Genre Humain [Human Genre], a musical track and the visual of the invitation, enumerating the list of 32 guest artists, already lays our cards on the table. But what “genre” of exhibition are we mounting here, in Bourges, in the […]
First and foremost, the title. “Non-figurative: a revival of interest?” is the name of the exhibition that was held at the CAC Meymac from last 10 July to 16 October. As its name indicates, it was a collective exhibition presenting […]
“Réparer à l’endroit de l’accroc le tissu du temps” (Identify the fabric of time at the place where it snags) is a collective exhibition whose title must first be unravelled, and that allows us to surmise that it cannot be […]
In May 1970, at a time when the first warm rays of the Californian spring were beginning to be felt, Swiss artist Dieter Roth organised an exhibition at the Eugenia Butler gallery (Los Angeles) that was remarkable, to say the […]
We remember Martin Kippenberger (Dortmund, 1953 – Vienne, 1997) for his humour and irreverence. His motto was “Jeder Künstler ist ein Mensch”1, subverting Joseph Beuys’ famous maxim “Jeder Mensch ist ein Künstler”2. By switching the words, the citation is used […]
H – Do you know it by heart, Blanqui’s phrase used as copy-and-paste in all the press releases from our association? H – I’d say it’s something like: Same monotony, same immobility (…). The universe repeats itself endlessly and paws […]
